F1: The Movi e marks the third racing feature that Hans Zimmer has scored — following 1990’s Days of Thunder and 2013’s Rush ...

Nelson agrees that Kosinski usually has "at least one or two waiting in the wings," and first heard about the possibility of a drama about Formula One racing while he was working on Spiderhead. "Joe ...

Joseph Kosinski had one instruction for the sound team behind his latest feature “F1”: It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...

And other facts about “F1” revealed in a special THR panel with stunt driver Luciano Bacheta, stunt coordinator Gary Powell, ...

F1 fans have been left stunned by the sound of the new 2026 power units, as one team took their new car design out on track ...

For re-recording mixers Juan Peralta and Gary A. Rizzo, auto-racing fans were a key audience they hoped to please with their work on “F1.” They weren’t the only key audience, however. “We wanted to ...

Max Verstappen has shared his verdict on the audio recordings of the 2026 Formula 1 engines, claiming they sound "crisp".

Joseph Kosinski had one instruction for the sound team behind his latest feature "F1": It needed to be as immersive as possible, and he wanted the audience to feel like they were in the car. Except, ...

When F1 sound editor Al Nelson and re-recording mixer Gary Rizzo joined director Joseph Kosinski's bold and action-packed F1, they had a few advantages working in their favor to help them tackle the ...