In The Wire 491/492, James Gormley argues that redrawing the line between public and private space has coined a dubious new ...

The 16 January edition of The Wire ’s weekly broadcast on Resonance FM and Resonance Extra featured a guest mix by Lebanese ...

Rasheedah Phillips and Camae Ayewa (aka Moor Mother) present a special Wire mix ahead of the publication of Dismantling The ...

In The Wire 491/492, Louise Gray recalls developing a new relationship to sound while bed-bound in hospital following an accident This is a piece that I never anticipated writing. Dictating from a ...

Born in Vietnam, multidisciplinary artist Tran Uy Duc seeks counterpoints with pop boundaries as their long-term influence. Also active in ...

In The Wire 491/492, Peter Margasak reviews an album of inventive new settings for the compositions of Ethiopian musician Emahoy Tsege-Mariam Gebru ...

All systems open might be the rallying cry of artists the world over, but Mark Fell argues the case for technological limitation as a trigger for creativity. Back in the early 1980s, the synth pop ...

After David Naegele’s departure, David Storrs had little connection with Valley Of The Sun, as replacement music director Robert Slap’s sensibilities skewed more towards the commercial, progressive ...

Subscribers: read this issue online. Subscribe to the magazine. Buy issue 486. Inside our brand new issue: David Lynch & Chrystabell: As their new album Cellophane Memories marks the culmination of 20 ...