Steven Soderbergh's experimental camerawork drives the first-person perspective in Presence, and results in an unsettling ...

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...

Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...

The inventive director embraced POV filmmaking on “Presence,” his haunted-house film shot from the spirit’s perspective.

Steven Soderbergh isn’t just the director and cinematographer of his latest film. He’s also, in a way, its central character.