Koepp's writing is thorny and cuts deceptively deep, like a scrape that looks like a surface wound until it won’t stop ...

Steven Soderbergh's experimental camerawork drives the first-person perspective in Presence, and results in an unsettling ...

The inventive director embraced POV filmmaking on “Presence,” his haunted-house film shot from the spirit’s perspective.

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into ...

LONDON — Steven Soderbergh ... there’s nothing to cut to,” he said. “So you would drop that expectation.” To hedge against a visually fatigued audience, Soderbergh also advised Koepp ...

I need to be scared of something,” Steven Soderbergh tells me as we sit down to discuss his new film, Presence. “Every movie that I have worked on, there’s gotta be a pocket of fear about some aspect ...

After an abrupt cut to black, “Presence” begins its ... you notice the suffering of others more acutely.” For director Steven Soderbergh, “Presence” represents an efficiently produced ...