In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. That project has concluded, and works are now being ...

Otobong Nkanga: Everything comes from nature, even if we're holding a laptop or even if we're holding a cup. But every natural resource seems to be cheaper than what is processed. And that affects, of ...

Artist, Otobong Nkanga: One of the things I'm really interested in is our relationship to this environment—thinking of labor, extractivism, connection to the land, thinking of ways of renovating, ways ...

“I try to see one thing from five different viewpoints and keep moving, working around a central point,” Thomas Schütte has said. “But what it is I don’t know. As soon as you define it, it’s ended.” ...

Esta beca, que se ofrece anualmente a curadores de MoMA y MoMA PS1, busca generar nuevas ideas que eventualmente informarán exposiciones, adquisiciones y programas públicos, y contribuirá a la ...

The Thomas Walther Collection—341 photographs by 148 artists—represents the innovative vision of the 1920s and ’30s, a transformative period of modern photography and the foundation of our photo-based ...

GLENN LOWRY: By the 1970s, performance art had achieved a level of notoriety and even acceptance. However, because many artists used their bodies aggressively in their performances, it was often ...

Immerse yourself in ideas and see your world in new ways through art. In MoMA’s free Massive Open Online Courses (MOOCs) on Coursera, you will hear directly from artists and designers, look closely at ...

Narrator: Edward James, a British poet and patron of Surrealism, commissioned Magritte to make this portrait in 1937, titled Not to be Reproduced. Curator, Art Institute of Chicago, Stephanie ...

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One morning in the summer of 1952, Matisse told his studio assistant and secretary Lydia Delectorskaya that “he wanted to see divers,” so they set out to a favorite pool in Cannes. Suffering under the ...